Arurmukha LP - 14.11.90
Re-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings,...
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Re-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the "Maifestspiele" by EINSTÌÄÒRZENDE NEUBAUTEN.
Re-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the "Maifestspiele" by EINSTÌÄÒRZENDE NEUBAUTEN.
14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big "battle" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book "Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]", published in 1992 by Basis-Druck).
On the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album "14.11.90" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò "avaricious demons", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.
Shunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece "Maifestspiele". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a "social sculpture" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.
Despite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, "14.11.90" is a plea for creative resistance culture with the hope for change in the existing conditions.
credits:
all music composed by Marc Weiser & JÌÄå_rgen Hendlmeier
remastering & vinyl cut by Andreas [Lupo] Lubich
cover photo by Harald Hauswald
Delivery
UK DELIVERIES
All UK orders are dispatched on a standard First Class Royal Mail delivery, unless you want to pay for a Tracked Service which does cost more. Sorry but delivery costs have gone up alot over Covid and Brexit.
Once we have dispatched your order, we will send you a confirmation email to let you know that your order has been dispatched.
OVERSEAS DELIVERIES
For all overseas deliveries we work with our partner Global-e. They work with all the major payment providers across the Globe and you can pay in your local currency. Then they take charge of organizing the delivery for us. They are backed by DHL.
Global-e offer 2 services for International orders:
A. 10-20 day delivery - the cost is really low, but takes a few days.
B. 5-10 day delivery - the cost in higher but you get quicker.
You will be quoted delivery costs as you go through the payment basket but typical costs are:
USA $18 for Express Service verses $7 for Tracked
Europe €19 for Express Service verses €4 for Tracked
Payment Information
Dust or wipe clean with a cloth dampened with water once a week. Be sure not to leave water spots on the surface. These water spots will dry and could possibly leave permanent marks.
Clean stains/spots using the following steps: Dampen a soft cloth with a mixture of hot water and liquid dishwashing detergent. Wring the cloth as much as possible to remove excess liquid. Rub the surface lightly in a circular motion. Dry the surface immediately with a clean, soft towel.
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With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"} -
{"id":7739440824578,"title":"Arurmukha LP - 14.11.90","handle":"arurmukha-lp-14-11-90","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"} -
{"id":7739440824578,"title":"Arurmukha LP - 14.11.90","handle":"arurmukha-lp-14-11-90","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"} -
{"id":7739440824578,"title":"Arurmukha LP - 14.11.90","handle":"arurmukha-lp-14-11-90","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"} -
{"id":7739440824578,"title":"Arurmukha LP - 14.11.90","handle":"arurmukha-lp-14-11-90","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"} -
{"id":7739440824578,"title":"Arurmukha LP - 14.11.90","handle":"arurmukha-lp-14-11-90","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e","published_at":"2025-12-05T09:54:22+00:00","created_at":"2022-07-12T12:28:30+01:00","vendor":"Kudos","type":"LP","tags":["artist:Arurmukha","Arurmukha","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984582906114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KR082","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arurmukha LP - 14.11.90","public_title":null,"options":["Default Title"],"price":3999,"weight":296,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580740433","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","options":["Title"],"media":[{"alt":null,"id":30186495836418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-15T152749.849.jpg?v=1748332677","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the eviction of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eRe-release of the album which MARC WEISER (RECHENZENTRUM, zeitkratzer) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS) created as ARURMUKHA. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the \"Maifestspiele\" by EINSTÌÄÒRZENDE NEUBAUTEN.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer StraÌÄüe in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin's post-war history, with 4000 officers deployed, and is deemed to be the last big \"battle\" of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book \"Berlin Mainzer StraÌÄüe: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer StraÌÄüe: Housing is more important than the law]\", published in 1992 by Basis-Druck).\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOn the occasion of the anniversary, the Berlin label KARLRECORDS is making a contemporary document that has been out of print for more than 25 years available to the public again. The album \"14.11.90\" by internationally renowned electronic musician and co-founder of the CTM Festival MARC WEISER (RECHENZENTRUM, zeitkratzer a.o.) and JÌÄÒRGEN HENDLMEIER (producer for THE FLAMING SIDEBURNS, THEE ULTRA BIMBOOS a.o.) was originally released in 1993 as a vehicle for them to work through their personal experiences as contemporary witnesses of the eviction, on the label GOLDRAUSCH-TONTRÌÄâ _GER, which was founded for the release. The project's name, ARURMUKHA Ì¢Û_å â Ò \"avaricious demons\", is a term from Vedic mythology, here alluding to the capitalist logic of exploitation guiding the West German corporations that bought out the former GDR after reunification.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eShunning the popular clichÌÄå©s of squatters, the duo processes original recordings of the clearing action, as well as material from radio and tv as their musical-textural starting points, composing them into a densely packed acoustic psychogram, recounting the events of the time with dramaturgic skill, in chronological sequence over the course of the two sides of the vinyl. Armed with a sampler as their main instrument they create an acoustic scenography which, as a sonification of memory, pits itself against oblivion. While constructed as a soundtrack, the heterogeneity of its styles gives the album the character of a compilation, aggregating drones, industrial, electronics, post punk, outsider music and political texts into an imaginary meta music film of resistance. The subject matter and music may suggest comparisons with EINSTÌÄÒRZENDE NEUBAUTEN's piece \"Maifestspiele\". The covers of the original edition at the time were individually designed by many different friends of the scene in the form of a \"social sculpture\" of the squatters' movement and comprised screen prints, collages, graphics, and photos. Selected for the re-edition of the LP: a picture by the Berlin photographer HARALD HAUSWALD, who is considered one of the most famous photo-chroniclers of the GDR and who also provided a collection of hand prints for the original.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eDespite its age, the album is an alarmingly relevant one, with its contents not having lost any of their urgency. Especially in view of the displacement of affordable housing and free cultural spaces in metropolitan cities, \"14.11.90\" is a plea for creative resistance culture with the hope for change in the existing conditions.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecredits:\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eall music composed by Marc Weiser \u0026amp; JÌÄå_rgen Hendlmeier\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eremastering \u0026amp; vinyl cut by Andreas [Lupo] Lubich\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003ecover photo by Harald Hauswald\u003c\/div\u003e"}
